If you follow me on Twitter, you’ll know how much I dig Villanelle from Killing Eve. Barely a day passes without my using one of the several thousand epic gifs that exist to express feeling or emotion. If your defaults are boredom and sarcasm, you probably do the same.Continue reading “Killing Eve: Good Mourning?”
It was the summer of 2009 and the biggest transfer in football history was about to be announced. The gangly eighteen-year-old with crooked teeth, greasy hair and dodgy trousers, that arrived at Old Trafford four years before was about to take the next step on his journey towards becoming a global icon. 70,000 people would turn up to see Real Madrid present Cristiano Ronaldo as their new player.Continue reading “Cristiano Ronaldo: What we do in the shadows”
What space does Sir Lenny Henry occupy in your hearts? Honestly.
Are you struggling?
Assume the correct answer is “Whew, Lenny Henry.” *shakes head, mops brow*. “Lenny was the bold champion of black comics when Great Britain had none. Revered as the man who hacked his own path through the undergrowth of working men’s clubs of the seventies and eighties to mainstream television and beyond, Sir Lenny now occupies that most coveted of roles in public life: National Treasure. We’re very proud.”
That’s what it looks like. Nice, isn’t it? Everyone comes out of it looking like a thoroughly good chap and Sir Lenny Henry receives his due for a career spanning some forty years and counting.
Lean in, though.
There’s a touch of revisionism going on here, isn’t there? Not with personal comedy preferences – for the purposes of this conversation, they’re not relevant – but with our cultural history and our almost pathological insistence on rewriting history to make ourselves feel better.
I knew you’d understand. You can move away now.
The fact remains, I probably wouldn’t have bothered listening to an interview with Lenny Henry if Amanda Palmer (white, cis, female, author, musician) hadn’t chosen to speak to him on her pod, The Art of Asking Everything. I’m not proud of it, but if I’m going to lightly admonish English culture for being fucking awful, it’s reasonable I take my share of the blame.
I love comedy, just not ‘that’ kind of comedy. As I was growing up and developing my taste, I was attracted to alternative performers, although at the time I couldn’t have defined that for you. I just knew that Rik Mayall’s love affair with Cliff Richard and Neil the hippie sneezing into a binbag made me laugh so much I hurt. Lenny’s output, in comparison, felt a little tame.
Even as I was pressing play, I wondered what the host might have to say to this man, and what could possibly be interesting about it. Last week’s episode, ‘Bullshit Is Everywhere’ with author Elizabeth Lesser, demonstrated Palmer’s skilful and sensitive technique as an interviewer – a surprise from a performer so expressive and dynamic – and my curiosity was piqued.
Only a white child growing up in England could believe that having your own sitcom on national television at twenty-four years old was dangerous. That’s not to say that Mayall, Edmondson, Planer and Elton don’t deserve the plaudits they’ve received over the years, far from it, but having listened to Lenny discuss performing comedy to a crowd of mildly inebriated and unapologetically racist blokes in what’s essentially a glorified outhouse, I feel I now have a better grasp of the term ‘dangerous’.
If you’re not paying attention, it’s easy to miss the clues. Despite heavy indications to the contrary, I don’t believe the majority of us on this septic isle are racist. I still believe in that now beleaguered cliche that we’re a friendly, hospitable bunch who will inevitably be let down by some twats who like to shout.
But dwelling between these comfy binaries is the truly British trait of ‘ooh, that makes me mildly uncomfortable, let’s never speak of it again’. Lenny Henry lives here too. A man who, for many years, was one of very few black faces regularly appearing on television. Who had little choice but to force himself into a box that didn’t fit him so he could stay there, all the while watching fellow comedians (and I use that term loosely) like Jim Davidson perpetuate unpleasant stereotypes and get rewarded with more screen time.
Henry was still there though, wasn’t he? As an advocate of representation, I understand the importance of seeing others like yourself in powerful positions, so surely that’s enough? The man’s got a knighthood, right?
Via this conversation, I learned more about Lenny’s early life and career than I ever picked up from watching him on TV. He discussed his memoir, ‘Who Am I, Again?’ and the necessity to tell his story in its entirety, rather than the sanitised version which TV execs and viewers preferred. The one that won’t frighten an audience only capable of coping with black people who don’t make a big deal of being black. Even better if they play along with the tropes. Henry himself did this for five years as a member of a touring stage version of ‘The Black & White Minstrel Show’; a source of shame that he himself should not be forced to bear.
Even Ricky Gervais, a man who should know better (an article in its own right), riffed gently on Henry’s position in English popular culture as recently as 2006.
I’d expect a guy as smart as Ricky to have figured out the reason Lenny might be perceived as ‘unfunny’ in some quarters is quite simply that he’s built a very successful comedy career despite being unable to tap into his own personal history. I can’t think of a single creative type who wouldn’t have a nervous breakdown upon reading that statement, including myself.
Please listen to it. Especially if you grew up in the UK in the seventies and eighties. In 2020, as the Black Lives Matter movement wavers between catching fire and burning out, it’s our job to ensure the former happens and we do this by listening. Don’t assume you already know or you have nothing more to learn. The world can look completely different if you take a second to move slightly and change your perspective.
It’s more important now than it’s ever been.
Amanda Palmer’s podcast, The Art of Asking Everything, is available in all the usual places.
Embed from Getty Images
Thirty-six hours before a ball is kicked, the narrative is taking shape. In the vernacular of the British tabloid press, England’s plucky Lionesses are now pitted in an ideological battle against the arrogant US Women’s National Team (USWNT). Not for goals, victories or honours, although one can assume that a game of football will break out at some point, but for the title of most dignified.
Megan Rapinoe won’t be winning that. She and her trophy hoovering cohorts’ behaviour on and off the pitch have been endlessly scrutinised and critiqued since this latest incarnation emerged onto the world stage, consistently failing to impress despite winning a World Cup, Olympic Gold, two CONCACAF Gold Cups and two SheBelieves Cups. They’re arrogant, apparently.
Never a good look on a lady.
Do you remember what you were doing when you first saw This Life? Did you discover it when they did the reboot in 2007? Find the DVD box set in a charity shop? An 8mm film in your Nan’s attic?
Or like me, were you drunk on life (and copious amounts of cider) in 1996, distractedly tapping your fingers on the night bus bell as it might somehow speed up your journey to your room in your parents’ house where the latest episode would be waiting for you on VHS, probably with the beginning or end missing?
JK Rowling broke her silence (and her website) yesterday afternoon by making a statement about the casting of Johnny Depp as Gellert Grindelwald in Fantastic Beasts: The Crimes of Grindelwald.
I cut and pasted that description because I literally couldn’t be arsed to write it all out, but don’t take my laziness as an indicator of the importance I place on the matter, I just wanted to get straight to the point rather than faffing about with Gellerts and Grindelwalds. It’s hugely important.
Do you like what you see?
Selected essays from The Baggy Trousered Misanthropist are now available on the Kindle Store for the ecstatically accessible price of £2.26.
Order yours now, before it becomes really popular and you risk being accused of bandwagon jumping.
Twitter is a weird place.
I’ve never been particularly comfortable with Caitlyn Jenner’s transition.
That bothered me.
Toby Young, Daily Mail 1st April 2016.
You could say that drawing attention to this sort of thing is giving the trolls what they want.
That Toby Young will be reclining on his chaise longue this morning, clad in smoking jacket and dragging on the big old Cuban parked between his educated lips while he cackles at the outrage his Daily Mail article provoked.